Work Table c. 1936

Editor: So, this is "Work Table," a watercolor and drawing by Bernard Gussow, made around 1936. It's incredibly detailed; almost photorealistic. It makes me wonder about the actual table. What do you see in this piece beyond the skillful rendering? Curator: Well, I see this as a deliberate choice by Gussow. During the 1930s, American art was often focused on depictions of everyday life, influenced by the social and political realities of the Great Depression. This object, a seemingly simple work table, becomes significant within that context. Editor: So you are saying it's not *just* a table? Curator: Precisely! It reflects a particular social ideal, the beauty found in functionality, accessible to ordinary people. Gussow isn't just documenting furniture, but also the values associated with that furniture during that time. Does it suggest anything to you about its original audience, and where it was meant to be shown? Editor: Perhaps shown to middle-class folks as inspiration? It lacks the grit often associated with depression-era art, right? It’s more aspirational. Curator: Yes, exactly. The detail elevates it beyond simple documentation and becomes a representation of how even basic items held value and artistry. There's an implied dignity here. Editor: I never would have considered that angle. So, it becomes a political object, just by its choice of subject matter? Curator: Indeed. Art, especially during times of upheaval, takes on a powerful public role in defining and shaping cultural values. This drawing prompts us to look more closely at how the mundane can reflect our society’s aspirations. Editor: Wow, thanks. Now I see this "Work Table" in a totally new light! Curator: My pleasure. Considering the historical forces and social values really enriches our experience with a work of art, doesn’t it?