Knife Handle (Kozuka) 1765 - 1835

Editor: Here we have a *kozuka*, or knife handle, by Katsutora, sometime between 1765 and 1835. It’s made of metal, and appears to be a relief carving of two men. What’s particularly interesting to you about this object? Curator: The immediate draw for me lies in understanding the social and material context of this seemingly small object. The choice of metal itself speaks to larger networks of extraction, trade, and craftsmanship during this period in Japan. Think about the labour involved in mining, refining, and then meticulously carving this material. Editor: Right, the physical act of creating this… miniature artwork. Curator: Exactly. And also the consumption! A *kozuka* wasn't just a functional object; it was also a status symbol, an indicator of wealth and taste. What does this say about Edo period social structure? About who could afford such detailed artistry? Editor: So, it’s more than just decoration. It's also about the economy and who had the ability to participate in it? I never thought about knife handles that way. Curator: Precisely. Even the choice to depict men offers avenues for exploration. Are these portraits, or stock characters? How do they reflect the values or aspirations of the patrons who commissioned pieces like this? Furthermore, we should question what defines “high art”. Editor: That's a really interesting question, considering its purpose and size! I suppose something functional can also be something really artistically meaningful. Curator: It all comes down to labour and value, doesn’t it? Thank you, this helps me rethink traditional hierarchies of art. Editor: Yes, I think I have a clearer understanding too. Looking at art from this perspective gives a richer context to objects.