Et par i en sofa, pigen sovende 1810 - 1873

Editor: This pen and ink sketch, "Et par i en sofa, pigen sovende"— "A Couple on a Sofa, the Girl Asleep"—is attributed to Wilhelm Marstrand, created sometime between 1810 and 1873. It’s got such a casual, intimate feeling, almost like a stolen glance at a private moment. I'm curious, what do you see in this piece? Curator: Ah, Wilhelm! I always think his drawings contain an intimacy. Perhaps its because it allows us to become fellow observers alongside Marstrand. Notice the gaze of the seated man – playful, isn't it? Almost a silent dare with the viewer: "Look, but don't disturb!" What's she dreaming of, I wonder? Perhaps, more importantly, what's he *imagining* she’s dreaming of? Editor: That's a lovely thought, the man's imagined dream. I was also struck by the bareness of the room; the window and blank picture frame feel symbolic in some way. Curator: Symbolism thrives in absence as well as presence. And Romanticism was particularly skilled at understanding absence. Consider this 'bareness' as potential energy... all that 'could be' occupying their minds – anxieties or fantasies! That empty frame could be a window into their aspirations, no? Editor: I suppose so! It reframes my whole perception of the artwork. Curator: Wonderful. Now, the real question is, what possibilities does it open for you? Editor: Well, I guess it encourages a deeper exploration, seeing beyond the surface of simple genre-painting into an introspective journey of potential. I learned a lot. Thanks. Curator: And my thanks to you! A drawing gains true colour when seen through another’s eyes.