Beroepen by van der Haeghen

Beroepen Possibly 1700 - 1865

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graphic-art, print, engraving

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portrait

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graphic-art

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print

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old engraving style

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figuration

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line

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genre-painting

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engraving

Dimensions: height 447 mm, width 363 mm

Copyright: Rijks Museum: Open Domain

Editor: This is "Beroepen," which translates to "Occupations," a print made sometime between 1700 and 1865 by van der Haeghen, held at the Rijksmuseum. I find the sheer variety of characters fascinating, almost like a deck of cards. What draws your eye in this piece? Curator: Indeed, it's a fascinating compendium of societal roles. What I immediately see are archetypes, symbols representing enduring societal structures. Notice how the artist meticulously renders each figure with specific tools or clothing related to their occupation. Do you see how those tools almost define them? Editor: Yes, it’s like the figures are walking embodiments of their professions. For instance, the "Soldaet," carries his weaponry with prominence. What about the ordering, the grid-like layout? Curator: The grid emphasizes the hierarchy, yet simultaneously equalizes everyone within their labeled boxes. Consider how professions at the top, those of "Keyser" and "Keyserin" represent authority while lower ranks fill out society’s foundation. It subtly hints at societal dependencies. Have you considered the effect that black and white may have in your response to this engraving? Editor: It adds to the timeless quality, like a document removed from its era. Almost like shadows from different moments in history are cast together. Curator: Precisely! The monochromatic style amplifies the graphic weight of these professions. They aren't individuals; they're visual anchors to the past and its perception of social organization, creating a fascinating dialogue between then and now. Editor: That’s such a powerful perspective. I went from seeing just a collection of jobs to a visual representation of a social structure, almost an historical flowchart. Curator: Art unveils hidden dialogues—conversations between us, the work, and cultural memory itself.

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