Dimensions: 268 mm (height) x 203 mm (width) (bladmaal)
Curator: The barest suggestion of forms, wouldn't you say? At first glance, one immediately senses something profoundly restrained in the artist's hand. Editor: Indeed. What we see here is "Forenklet skitse til samme komposition," or "Simplified Sketch for the Same Composition," made with pencil on paper between 1798 and 1801 by Jens Juel. It resides here at the SMK, Statens Museum for Kunst. Curator: Its very rawness, the evident absence of completion, speaks volumes. The almost ghost-like figures suggest a liminal space, an idea taking form but not yet fully realized. The formal elegance of the composition can still be sensed, despite its unfinished state. Observe how the vertical lines add weight and definition to the seated woman. Editor: Yes, and that lack of finish provides a peek into the working practices and priorities of the artist at that moment. What type of paper, the hardness of the pencil, the very act of rapid sketching -- each contributes to this sense of immediacy, making visible the labour of creation itself. It gives insights into the 18th-century workshop, and a glimpse of what constituted acceptable ‘finish’ in the preparatory stages. Curator: Precisely. Consider how the light falls – or rather, doesn’t quite fall. It suggests volume and depth, without explicitly defining them. It encourages the eye to complete the scene, drawing us into its delicate space. The soft contrast between the pencil strokes and the paper invites meditation. Editor: One wonders what informed his choice of this paper? Was it readily available or specifically sourced? I am drawn to questions about accessibility and the broader socio-economic realities affecting the materials used, not just their intrinsic formal qualities. Curator: I concur on that point, but also think the formal elegance shouldn't be overlooked. Editor: Well, regardless, exploring this simplified sketch definitely yields rich insight into artistic labor, and broader access to considering what artists contend with at their drafting tables. Curator: Absolutely. It highlights the magic residing even within these rudimentary beginnings.
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