Diana (leaf in Italian Sketch Book, 1750–52) 1750 - 1752

Editor: This is Joshua Reynolds' "Diana (leaf in Italian Sketch Book, 1750–52)," a pencil drawing currently held at The Met. It has this delicate, unfinished quality that I find really appealing, a sort of behind-the-scenes look into the artist's process. How do you interpret this work within its historical context? Curator: Considering the socio-political forces at play, Reynolds' interest in classical figures like Diana points towards the growing influence of the Grand Tour on British art and collecting. Aristocrats traveled to Italy, bringing back ideas of classical aesthetics. These sketchbooks allowed artists to engage directly with these ancient forms. Do you notice anything about how Reynolds has rendered the figure in a classical style but within the intimate form of a sketchbook? Editor: I see how the loose lines contrast with the more idealized figure, almost like he's workshopping classicism. It's not as stiff or formal as I would expect for that time. Curator: Exactly. And consider the politics of imagery. By representing a female deity, he's not just displaying technical skill; he's participating in a visual dialogue about power, beauty, and gender within the framework of British society and its institutions. Where would the artist see this as leading, perhaps in the finished work? Editor: That's fascinating! I hadn't thought about how a simple sketch could be so loaded with cultural meaning. So, it’s not just about learning to draw but learning a visual language? Curator: Precisely! Reynolds, as a figure within the Royal Academy, heavily influenced the canon. We can see that canon begin to come together even in these drawings. Understanding those institutional forces, and the politics that shape the production and reception of art allows a much more thorough understanding. Editor: Wow, I definitely see this sketch in a whole new light now! Thanks for sharing your perspective. Curator: And thank you for yours; it's through these discussions we challenge our assumptions and keep re-evaluating the role of art in society.