In 't café by Jac van Looij

In 't café 1865 - 1930

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print, etching

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portrait

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print

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etching

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old engraving style

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genre-painting

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realism

Dimensions: height 184 mm, width 96 mm

Copyright: Rijks Museum: Open Domain

Curator: This is Jac van Looij's "In 't café," an etching created sometime between 1865 and 1930. Editor: There's such a density of shadows here; the window almost appears like a barrier, casting long silhouettes of light down onto the scene. It really evokes this feeling of isolation and perhaps unease. Curator: I'm immediately drawn to the symbolism of the candle chandelier hanging prominently in the upper corner. In genre painting like this, light often represented enlightenment or divine presence. Editor: While, conversely, darkness implies ignorance or despair. Is it saying something, then, about the societal constraints faced by those frequenting such establishments? Is van Looij hinting at a wider commentary? Curator: Considering the historical context – the burgeoning realist movement which strove to depict everyday life often through critical lenses – yes, this reading aligns perfectly. The figures here seem weighed down, obscured even, reflecting social inequalities. Editor: It's fascinating how the use of etching adds to this. The granular texture created gives the piece a certain grittiness which feels intrinsically linked to the working-class atmosphere suggested. Did social realist ideals in that moment push back on notions of race and identity? Curator: Absolutely. Through these ordinary yet poignant settings, art interrogated broader socio-economic realities, offering silent advocacy for the disenfranchised and unacknowledged members of Dutch society at the time. These dimly-lit bars can represent entire cultural and socio-economic settings, holding different cultural meanings depending on one's position. Editor: Looking at the faces closely, there's something really timeless here – it taps into collective, even ancestral memories about shared spaces. Places to converse, or even fall into isolation. Curator: Indeed. It urges a crucial reevaluation, acknowledging silenced voices and untold histories intricately bound within images which can transcend through space and time. Editor: A sombre scene, but profoundly resonant with human emotion across the decades. Curator: Precisely. Van Looij invites us to step into this cafe, if only to engage and reflect on the intricacies of life itself, as witnessed by all those before and to come.

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