Latei van een deur van het paleis van Sennacherib before 1876

This is a photograph by Stephen Thompson of a door lintel from the palace of Sennacherib. The original was likely carved in stone, a material chosen for its durability and monumental qualities. Stone carving demands immense physical labor, specialized tools, and a deep understanding of the material’s properties. It’s a slow, subtractive process, where the artist removes material to reveal the form within. The depth of relief and intricate details suggest a highly skilled artisan. The photograph gives us a mediated view of the original, transforming the texture and weight of the stone into a flat, monochrome image. This shift changes our perception of the object. A photograph flattens the relief, losing the tactile experience of the carved surface. We can consider the social context of its creation, including the division of labor and the role of power. The original carving would have been a testament to Sennacherib's authority. By understanding the materials, techniques, and context, we gain a deeper appreciation for its cultural and artistic significance.