Omlijsting met een langwerpige cartouche met ronde zijkanten middenboven 1593

This engraving, “Omlijsting met een langwerpige cartouche” by Theodor de Bry, presents a symbolic tableau framed by elaborate ornamental motifs. The figure of the armed man evokes Mars, the god of war, yet he stands passively, overshadowed by the heraldic shield. Observe the recurring presence of grotesque figures intertwined within the ornamental borders; these ‘devilish’ forms reflect a deep-seated tension between the classical ideals of harmony and the more primal, chaotic aspects of human nature. Such motifs echo across time, appearing in medieval gargoyles and Renaissance grotesques, always embodying a blend of fear and fascination. The shield, adorned with foliage, is reminiscent of ancient Roman triumphal arches, signaling power and victory. Yet, here, it remains blank, awaiting the inscription of deeds or lineage. This act of framing and the use of symbolic language engages us on a subconscious level, evoking collective memories and primal instincts. This symbol of the shield, though ancient, continues its journey through art history, constantly reinventing itself, and reflecting humanity's ongoing dialogue between order and chaos.