Female Figure by probably Longuda

Female Figure c. early 20th century

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sculpture, terracotta

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3d sculpting

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3d model

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sculpture

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jewelry design

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3d character model

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sculptural image

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unrealistic statue

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sculpting

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sculpture

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3d modeling

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terracotta

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3d character modeling

Dimensions: 25 7/8 x 8 9/16 x 9 9/16 in. (65.7 x 21.8 x 24.3 cm)

Copyright: Public Domain

Editor: Standing before us is a terracotta sculpture titled "Female Figure," believed to be from the early 20th century and probably Longuda in origin. The open mouth gives it this wonderful sense of startled energy, almost caught mid-song or exclamation. What leaps out at you when you look at this piece? Curator: Well, it certainly sings, doesn't it? This figure really takes me back to some primal artistic urge—like something bubbling up from the earth itself. It’s raw, almost aggressively so, yet beautifully rendered in its imperfections. The linear textures feel so ancient and, well, communicative. Almost like tattoos or body paint, whispering stories. What stories do *you* imagine it tells? Editor: I think maybe stories of resilience. Of a community finding ways to keep culture and history alive. The adornments also feel meaningful; are these ritual markings or perhaps status symbols? Curator: Possibly both! We are only able to attribute to Longuda people with very little to be certain of; such figures acted as mediators between the natural and supernatural world. The energy put into creating this figurine tells of how someone had profound intentions. Does the rough texture suggest any narrative of the spiritual world for you? Editor: I didn’t initially connect it with spirituality, but knowing it, I am sensing the profound connections between Longuda and their natural environment! Curator: Exactly! Art opens this way for new passages to seeing and thinking for everyone. Editor: That's what I love about it! There is more to the sculpture than just one interpretation. Curator: Couldn't have said it better myself.

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Comments

minneapolisinstituteofart's Profile Picture
minneapolisinstituteofart over 1 year ago

In northeastern Nigeria a mosaic of ethnic groups produce ceramic art, and it is not always possible to attribute a particular terracotta to a specific people. The many loops and dangling elements of this example are most common on ceramics made by the Longuda. This type of pottery was used ritually, in divination and healing ceremonies. Older figurative pots of the Longuda normally stand on a single, circular foot, so this two-legged figure is likely more recent.

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