Man spreekt een pianospeler aan before 1954

This black ink drawing by Hans Borrebach pictures a scene with a piano player being addressed by a man and a woman. It's all about the line here. Borrebach is really going for it, laying down these confident black outlines that define the figures and the piano, filled with delicate shades of blue-grey and white to suggest the forms. He doesn’t belabor any mark, but confidently moves on. I find that incredibly appealing, this casual feel that doesn't fuss over details. The smudges and little imperfections only add to its charm. The whole thing has a spontaneous, playful energy, like a jazzy improvisation. The work reminds me a little bit of George Grosz, but with a lighter touch. Both artists capture a certain era, a kind of social scene, but Borrebach’s take feels less cynical. He invites us into a world that's stylish and fun, with a hint of intrigue. It's not about perfection; it's about embracing the energy and spirit of the moment.