Bust portrait of Cosimo I de' Medici, in an oval frame set within a rectangular plaque, surrounded by fantastical ornament by Nicolò Nelli

Bust portrait of Cosimo I de' Medici, in an oval frame set within a rectangular plaque, surrounded by fantastical ornament 1567

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drawing, print, engraving

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portrait

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drawing

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pen drawing

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print

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mannerism

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11_renaissance

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history-painting

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engraving

Dimensions: plate: 6 7/8 x 5 7/16 in. (17.5 x 13.8 cm) sheet: 7 3/4 x 6 1/4 in. (19.7 x 15.9 cm)

Copyright: Public Domain

Curator: This intricate engraving, made by Nicolò Nelli in 1567, presents a bust portrait of Cosimo I de' Medici, set within a swirling Mannerist frame. Editor: Woah, it's like, a serious headshot mixed with a wild fever dream, right? The contrast between Cosimo's calm face and those… sea monster things, is just mind-blowing. Curator: Indeed. This work appears to celebrate Cosimo’s reign, carefully constructed after he became the first Grand Duke of Tuscany, consolidating power and patronage during a politically turbulent era. The marine imagery isn't random, either: Cosimo strategically harnessed maritime power. Editor: Power move! Seriously, those figures flanking his portrait—mermaids? Sirens? What is happening with their hair?—are just dripping with a kind of strange, forceful energy. Are they seducing you, or about to drag you under? Or both?! Curator: Perhaps that ambiguity is part of its power. These creatures borrow from classical mythology and are interwoven with symbols that reinforced his authority and legitimized his rule, tapping into the Renaissance obsession with antiquity and its relevance to contemporary power structures. The whole thing is an example of strategic visual messaging, and Cosimo, through these artworks, carefully crafted his image. Editor: He definitely had a *look* and a brand. It’s also just, like, beautiful, though, right? You can almost feel the artist's hand—so precise. You know, it kind of makes me wonder: What would my power portrait look like? Probably involve a very comfy chair, and snacks... definitely snacks. Curator: In thinking about a modern take, that really illustrates the fascinating thing about portraiture: this constant interplay between control and vulnerability, visibility and the construction of private and public personas. Cosimo likely sought to control the narrative here, but the image, centuries later, provokes diverse reactions and can offer unique interpretations. Editor: Exactly! Even all these years later, the echoes ripple, and yeah, art keeps shaking us up, pointing toward past, present, future possibilities.

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