The Pinnacle of the Left Portal; and a Trumpeter and Standard from the Cupola of the Central Portal, from the Arch of Honor, proof, dated 1515, printed 1517-18 1515

Curator: This intriguing print by Hans Springinklee, conceived in 1515 and printed between 1517 and 1518, captures elements of the Arch of Honor, a monumental project commissioned by Emperor Maximilian I. We're viewing sections from the left and central portals. Editor: Wow, it's a whirlwind of symbolic decoration! My first thought is 'opulence'. Look at the level of ornamentation—it feels overwhelming, almost cartoonish in its abundance. The lines are so intricate. Curator: Absolutely, the Arch itself was conceived as a glorification of the Habsburg dynasty. The part we see has symbolic figures, armorial bearings, and fantastical creatures all rendered in incredible detail using line engraving. The whole arch would have acted as elaborate propaganda. Editor: Propaganda with panache, I'd say. That central portal pinnacle... it reminds me of some bizarre baroque cake decoration, topped with cherubs and dragons wrestling. It's visually busy but also so light because of the engraver’s line work. Curator: The symbolism, though, is key. Notice the double-headed eagle, representing the Holy Roman Empire and the trumpeter signaling imperial authority. The overall effect is a powerful display of imperial strength and legitimacy, crafted meticulously. Editor: It’s like a meticulously assembled Lego castle, brimming with details. The shading, while simple, gives weight to the otherwise airy composition. I wonder what it was like to walk underneath this thing… imposing, I'd imagine. It's definitely not subtle, which in itself speaks volumes about the intentions behind the work. Curator: Considering that the Arch of Honor was largely a print project – many who viewed it would have seen it through these detailed prints – Springinklee’s craft ensured Maximilian's message was disseminated far and wide. Editor: It feels distant in time and subject, but the detail of line drawing transcends it, doesn't it? I see the skill before I see the political motive and that gives the image lasting resonance.