Dona Juana of Portugal [obverse] 1564

Editor: Here we have "Dona Juana of Portugal" created in bronze by Gianpaolo Poggini in 1564. It has an interesting patina, the material makes it appear strong, yet time has certainly left its mark. What stands out to you most when you examine the piece? Curator: Well, beyond the likeness, consider the bronze itself. Where was this metal sourced? Who were the laborers involved in its extraction and refinement? The very materiality speaks of vast networks of trade, labor, and economic power during the Renaissance. The artistry here isn't solely Poggini's, but also a testament to the countless anonymous hands that made this possible. How does this reframing affect your understanding of the work? Editor: It’s fascinating to think of the piece beyond just Poggini’s skill, I hadn’t thought about the economic element behind the production. It really opens up a broader understanding of Renaissance society! So much of art history feels like it centers around the "artist," yet this highlights the network required to support this work. Curator: Precisely! And think about the consumption of this object. It’s a medal. What purpose did it serve? What message was Dona Juana intending to disseminate through its production? The repetitive nature, of creating many copies, contrasts with singular artworks, suggesting it acted as a form of political branding of its era, one could even argue, as proto-mass media of its day! Editor: So interesting. The very act of duplication transforms the function and intent of the bronze. Curator: Indeed. Shifting the focus to process, materials, and the implied networks of making brings new light to the artist's effort, wouldn't you agree? Editor: I certainly do! Thank you for the new perspective. Curator: It was my pleasure. Materiality matters!