drawing, print, woodcut
portrait
17_20th-century
drawing
self-portrait
caricature
german-expressionism
expressionism
woodcut
Copyright: Public Domain
Ernst Ludwig Kirchner made this striking woodcut, using just black and blue, to capture something of himself. It feels like a jagged, emotional landscape. You can see how he really dug into the wood, making these strong, almost brutal cuts. It’s like he’s carving out his feelings, not just an image. He may have been thinking about what it means to be alone with your thoughts, up there in the mountains. The other figure is a shadow, or perhaps another version of himself, trying to escape, but forever bound. Kirchner was part of a group called ‘Die Brücke’, and they were all about expressing raw emotion. When I look at this, I think about other artists who have bared their souls. It’s as if all artists, across time, are having this ongoing conversation, a sort of call and response. It leaves you with a feeling that’s open to interpretation, as the best art should be.
Comments
In 1926, Kirchner’s compositions began to take on a clearer, more two-dimensional quality once again making more use of curved lines. In this self-portrait of 1929, the artist developed his face with a few precise parallel hatchings and clearly outlined zones. Together the distribution of the colour and handling of the line make allusions to light and shade while also endowing the portrait with rhythm and tension. As Schmidt-Rottluff had done in 1919, Kirchner here gave his eyes two different qualities: one is the wide-open eye of the visionary; the other takes in the world around.
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