Zittende vrouw aan de thee 1831 - 1899

David Bles made this drawing of a woman having tea using pen in the Netherlands. Looking at this image, it’s tempting to think about the details of daily life in the Netherlands: the ritual of tea, the clothes people wore, the furniture they used. But this image also opens up wider questions about Dutch society in the 19th century. The woman’s clothing, the tea set, and the domestic interior itself speak to a certain level of comfort and wealth, and this tells us something about class and social hierarchy in the Netherlands. We might ask ourselves: Who was this woman? What was her social standing? How might this image be different if the artist had chosen to depict a woman from a different social class? These are the kinds of questions that social historians ask when we look at art. We use all sorts of resources – letters, diaries, account books, newspapers – to build up a picture of the world in which an artwork was made. Because, ultimately, art isn’t created in a vacuum: it’s always shaped by the social, cultural, and institutional forces of its time.