Genshōshichi, from the series Elegant Women's The Water Margin: From One Hundred and Eight Figures (Fuzoku onna Suikoden: Ippyaku-hachinin no uchi) c. 1828 - 1832

Curator: This is Utagawa Kuniyoshi's "Genshōshichi, from the series Elegant Women's The Water Margin: From One Hundred and Eight Figures." It's a shikishiban print held at the Harvard Art Museums. Editor: My first impression is melancholy, like she's facing a wind we can’t feel, caught between worlds. Curator: The series reimagines characters from the Chinese novel *Water Margin*, recasting them as fashionable women. In this context, it speaks volumes about societal constraints and the limited roles available to women at the time. Editor: Right, but look at her gaze! It's a defiance simmering beneath the surface, a quiet rebellion dressed in silk and holding… is that a fishing rod? Curator: Possibly. It references Genshōshichi's role as a skilled fisherwoman and leader of rebels. Kuniyoshi is known for subverting traditional representations. Editor: It's as though she's fishing for something more than just food—maybe for change itself. It makes you wonder about what kinds of strength reside in quiet places. Curator: The print certainly highlights a nuanced perspective on feminine power, offering a powerful commentary on gender and resistance. Editor: Absolutely. It’s a beautiful contradiction, this image – both delicate and fierce, really making you think.