Luilekkerland / Pysa de cocagne 1866 - 1902

Franciscus Antonius Beersmans created this lithograph titled 'Luilekkerland / Pysa de cocagne'. The work presents a series of vignettes depicting a land of plenty. Originating in the Medieval period, the concept of "Cockaigne" described an ironic paradise, satirizing peasant life with exaggerated leisure and food. Beersmans' images echo this sentiment, depicting people effortlessly acquiring food and drink. The imagery reflects societal anxieties about scarcity, labor, and social hierarchies. These scenes are rife with symbolic inversions of labor and reward. Consider how the figures interact with the landscape; food is readily available, challenging the traditional relationship between work and sustenance. This resonates with historical peasant revolts which questioned the existing social order. How might the emotional impact of this imagery shift, depending on the viewer’s position in the social hierarchy?