Maria met Kind in stal zittend bij ezel 1753

Jean Dansaert made this print of Mary and baby Jesus with an etching technique. The design is achieved through the use of line, made possible by drawing through a waxy ground on a metal plate, and then immersing that plate in acid. This biting process leaves behind an incised image, ready to be inked and printed. The fine network of etched lines come together to describe the figures of Mary, Jesus, and the donkey, as well as the humble setting of the stable. The matrix of this plate, and the many impressions that can be taken from it, is a repeatable process tied to the industrial revolution. The image could then be disseminated widely. Consider how this capability influences our understanding. Etchings such as this are often overlooked in favor of unique works, such as painting or sculpture. Yet this belies the incredible skill involved in their production, and the crucial role they played in the circulation of images and ideas. Appreciating the material and the making is key to understanding its cultural significance.