Saturn and Rhea 1680 - 1700

Giuseppe Diamantini created this engraving, "Saturn and Rhea," sometime in the 17th century, an era marked by rigid social hierarchies and the rise of absolutist power. Here, Diamantini invokes classical mythology to consider notions of power, family, and fate. Saturn, the Titan who devoured his own children to prevent them from usurping his throne, is depicted reclining, seemingly weakened. Rhea, his wife, is shown protecting their children. The image then stages a drama of conflicting desires: Saturn’s tyrannical impulse for self-preservation versus Rhea’s maternal instinct to nurture and protect new life. The choice to depict a well-known myth provides a lens through which to understand the politics of 17th century Europe. The image raises questions about the cyclical nature of power, challenging the idea of absolute rule. While reflecting the era's fascination with classical themes, Diamantini's "Saturn and Rhea" serves as a potent allegory of power, love, and sacrifice.