Twee ladekasten by Elias Strasser

Twee ladekasten 1780 - 1807

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drawing, metal, etching, architecture

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drawing

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neoclacissism

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metal

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etching

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etching

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architectural drawing

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architecture

Dimensions: height 271 mm, width 185 mm

Copyright: Rijks Museum: Open Domain

Editor: So, here we have an etching titled "Twee ladekasten," or "Two Chests of Drawers," made between 1780 and 1807 by Elias Strasser. It's a very precise architectural drawing; what strikes me most is how clean and orderly it feels. How do you interpret this work? Curator: This etching, made during the height of Neoclassicism, reflects a renewed interest in the aesthetic ideals of ancient Greece and Rome. Considering the socio-political climate of the late 18th century – the Age of Enlightenment, revolutionary fervor brewing – what do you think the artist might be suggesting by referencing such order and symmetry in everyday objects like chests of drawers? Editor: Hmm, maybe a desire for stability? I mean, these designs seem like they’re promoting a return to simpler forms and balanced living amidst social unrest. Is that too on the nose? Curator: Not at all! Neoclassicism often served as a visual language of political and social commentary. By embracing this style for furniture design, Strasser might subtly be promoting order and reason during a period of immense upheaval. Who had access to furniture like this, and what statements were being made in comparison with earlier artistic movements? Editor: That's a good point! These probably weren't for the working class. So, choosing this style might also signal status and taste within a certain class? Almost like they're literally containing the chaos around them, you know, within neat drawers and clean lines. Curator: Exactly. This piece provides us a lens through which to understand how aesthetic choices were deeply entwined with expressions of identity, class, and power dynamics during a transformative period in history. Editor: That makes me see it in a completely different way now. Thanks for opening up this perspective, I learned so much about the significance of art during that era. Curator: And thank you for considering the work's ability to reflect tensions brewing at the time. Always keep in mind how furniture itself acts as an encapsulation of social norms!

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