Departure of Lot c. 18th century

Curator: This is Andrea Scacciati’s "Departure of Lot," housed here at the Harvard Art Museums. Editor: The sepia tones give it a somewhat melancholic air, almost like a fading memory. What medium did Scacciati employ? Curator: Scacciati uses pen and brown ink with brown wash to depict the biblical story of Lot fleeing Sodom, which speaks volumes about the artistic resources available at the time. Editor: Indeed, and consider the narrative implications. The angels pulling Lot and his family away resonate with contemporary discussions around forced migration and displacement. How can we not see reflections of current geopolitical crises in this exodus? Curator: A keen observation! It’s fascinating how Scacciati uses relatively simple materials to evoke such a complex narrative. This economy of means enhances our focus on the production of meaning itself. Editor: Absolutely. This work allows us to examine the intersection of religious narratives and power structures. Curator: It provides a wonderful insight into the artistic practices of its time. Editor: It also underscores the enduring relevance of these stories in addressing today's societal challenges.