[Member of the Paris Commune: Maria Menan, condamnée à mort, meurtre et incendie] 1871
photography, gelatin-silver-print
portrait
african-art
16_19th-century
photography
gelatin-silver-print
Dimensions: Image: 3 5/8 × 2 1/4 in. (9.2 × 5.7 cm) Mount: 4 1/8 in. × 2 1/2 in. (10.4 × 6.3 cm)
Copyright: Public Domain
Ernest Eugène Appert made this albumen print, "Member of the Paris Commune: Maria Menan, condamnée à mort, meurtre et incendie," in the late 19th century. It’s a portrait, but not of just anyone; it’s of a woman condemned to death for her alleged role in the Paris Commune. What does it mean to be a woman wrapped in plaid, accused of murder and arson? Menan’s face is pale, her expression unreadable, leaving us to wonder about her story, her motivations, and her humanity. The Paris Commune was a radical socialist government that briefly ruled Paris in 1871, and was violently suppressed. Appert, known for his politically charged photographs, documented the Commune's aftermath, often focusing on its alleged perpetrators. This image is far from neutral; it exists within a context of political propaganda and social upheaval. It asks us to confront uncomfortable questions about justice, power, and the ways in which society punishes those deemed to be on the wrong side of history. It's a stark reminder of the human cost of ideological conflict, inviting us to reflect on the stories that history often silences or distorts.
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