metal, sculpture, wood
baroque
metal
sculpture
sculpture
wood
Dimensions: length 130.3 cm, height 23 cm, depth 7.5 cm, weight 4.1 kg, length 91.2 cm, diameter 20.5 mm
Copyright: Rijks Museum: Open Domain
Curator: Here we have an exquisite example of a flintlock hunting rifle, dating from around 1680 to 1700. This piece is currently held in the Rijksmuseum. Editor: What strikes me is the quiet elegance. It's almost disturbingly sleek for something designed to… well, hunt. Like a deadly ballerina. You almost forget what it is for, drawn in by the cool gleam of the metal. Curator: Indeed. The rifle demonstrates superb craftsmanship in the selection and fitting of its materials: metal and wood seamlessly joined, indicating a high level of technical skill and understanding of material properties. What does this blending of wood and metal evoke? What are the connotations of function? Editor: Thinking about functionality versus pure adornment, my immediate impression is one of balance. The weight and warmth of the wood in your hands… the chill, precise potential of the metal…it’s a real physical conversation between power and something approaching tenderness, if you’ll forgive the indulgence. Did owning one of these signal social standing, beyond the practical purposes? Curator: Absolutely. The crafting of these rifles moved beyond utility; consider it part of an economic structure—a representation of access to resources and skilled labor, but also an elite pastime and conspicuous consumption. Its intended use in hunting placed it firmly within the sphere of aristocratic privilege. I find it difficult to detach objects from historical economies. What do you think? Editor: I see your point completely about economic forces; it’s undeniable that such an object tells a story about access, labor, trade and privilege, so beautifully weaponized, if you see what I mean? Still, seeing this instrument outside its time I also experience a melancholy kind of peace and balance. All those tensions contained and composed in the grain of the wood. Curator: Perhaps seeing this instrument "outside its time" has made us understand our modern predicament. Editor: And a potent one, as well! Thanks for pointing that out.
Comments
No comments
Be the first to comment and join the conversation on the ultimate creative platform.