Mural—Not Plural 1952

Editor: This is Stuart Davis's "Mural—Not Plural," a sketch without a specific date, held at the Harvard Art Museums. It's minimal. Just a few lines and words. What strikes you most about it? Curator: The inscription, "Mural—Not Plural," hints at a deeper meaning. Davis seems to be pushing against the traditional, often grandiose, symbolism associated with murals. The repetition of circles suggests unity. What do you make of that? Editor: Perhaps he's simplifying, making the mural concept more personal? Curator: Precisely. Davis is engaging in a visual dialogue about what a mural *could* be. It is a reflection on cultural memory and how we perceive monumental art. Editor: It makes me rethink how artists can redefine established forms. Curator: Indeed. Davis’s sketch offers insight into how artists challenge conventions and imbue symbols with new life.