Portret van Christus by Enea Vico

Portret van Christus 1550

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print, engraving

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portrait

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print

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mannerism

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engraving

Dimensions: height 153 mm, width 113 mm

Copyright: Rijks Museum: Open Domain

Editor: Here we have Enea Vico's "Portret van Christus," created around 1550 using engraving techniques. The figure is enclosed in an elaborate frame. There's something almost unsettling about the directness of his gaze and the decorative details around him. What strikes you most about this portrait? Curator: For me, the engraving immediately speaks to the turbulent socio-political environment of the mid-16th century. The Mannerist style, with its heightened emotion and dramatic composition, reflects the religious anxieties of the Reformation. Vico’s choice to depict Christ in profile, within such an ornate and somewhat suffocating frame, almost hints at the restrictions placed upon religious expression at the time. Editor: I see what you mean about the restrictions. Do you think the putti and other ornamental flourishes are simply decorative or might they hold deeper significance? Curator: I think we must question those visual choices! The putti, common in Renaissance art, usually represent divine love. However, placing them alongside such a solemn figure raises questions. Are they there to console or to perhaps subtly highlight the complexities and inherent contradictions within religious dogma of that period? Perhaps Vico is using familiar symbols to prompt viewers to contemplate their own evolving relationship with faith. Editor: That’s fascinating. I hadn’t considered the deliberate contradictions in the image. I was too focused on the overall effect and didn't delve deep into each element of the engraving. Curator: Exactly! Art of this period encourages us to interrogate, not just observe. Think of it as a visual argument about belief and its place in society. Editor: This makes me think about how the print, as a reproducible medium, also made religious imagery more accessible. Thanks to our conversation, my perspective of Vico’s "Portret van Christus" has shifted dramatically. Curator: Mine as well! The complexities within the image now make even more sense in the light of mass reproduction, intended for a large, increasingly literate, audience!

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