Ontwerp voor een tegeltableau met leeuwen by Carel Adolph Lion Cachet

Ontwerp voor een tegeltableau met leeuwen 1874 - 1945

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drawing, graphic-art, paper, ink, frottage

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drawing

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graphic-art

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art-nouveau

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figuration

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paper

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ink

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linocut print

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geometric

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line

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frottage

Dimensions: height 476 mm, width 336 mm

Copyright: Rijks Museum: Open Domain

Editor: Here we have “Ontwerp voor een tegeltableau met leeuwen”, or Design for a Tile Panel with Lions, created sometime between 1874 and 1945. It’s ink on paper and held at the Rijksmuseum. It’s very striking - so graphic! What is your read on this piece? Curator: Well, immediately I think about the sociopolitical context in which it was produced. The lion, of course, is a symbol of power, often associated with royalty and national identity. Given the date range, it’s important to consider how nationalistic sentiments might be playing out here. Who would display such a tile panel? What message are they trying to convey? Editor: That's interesting, I hadn't considered that. So, beyond the symbolism of the lion, how might the style—this feels very Art Nouveau—factor into its public role? Curator: Art Nouveau, with its emphasis on flowing lines and natural forms, was often associated with modernity and progress. However, it also served as a form of national branding. Think of the Glasgow School in Scotland. Was the client commissioning something that was specifically and identifiably Dutch? Also, consider that this is a *design*. This imagery had to fit the technological capabilities of the ceramic industry. Editor: So it is less about the artistic expression itself, and more about how art serves larger cultural or even national purposes. Curator: Exactly. The design choices, the subject matter—all of these things were made with a specific audience and a specific context in mind. The reception of the tile panel in a home versus a business would say something interesting about how art functions as a tool for asserting a position of prestige or wealth. What do you take away from understanding all these contextual layers? Editor: Thinking about this as a tool for power broadens my perspective, and reminds me that art is always part of a larger conversation. It's never truly isolated. Curator: Indeed, and hopefully now the image will stimulate fresh and informed insights from future listeners.

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