Jeanne d'Arc wordt door soldaten gevangen en meegevoerd 1851

Editor: Here we have Adolphe Alexandre Dillens' engraving from 1851, “Jeanne d'Arc wordt door soldaten gevangen en meegevoerd” depicting Joan of Arc's capture. It’s interesting—even in a moment of defeat, she looks so resolute. What stands out to you in this print? Curator: For me, it's all about the contrast. You’ve got Joan, stoic and dark, almost swallowed by the shadows. But around her? This swirl of chaotic figures, full of wild energy, a baying pack really. Dillens, I think, wants us to see not just a historical moment, but the tragic collision of individual courage against the overwhelming tide of… well, of humanity, really. What do you make of that contrast? Editor: I see what you mean about the contrast. The crowd is a really striking visual element, drawing focus. So, what is Dillens trying to tell us about Joan's story? Curator: That’s the million-dollar question, isn’t it? Maybe it's about how easily heroes are consumed by the very people they fight for. Or, maybe Dillens saw something of his own time reflected in her story. The 19th century was pretty turbulent after all. He’s not just showing her capture. Editor: That is a point, capturing more than a specific event. So much of the story hinges on those surrounding Joan, or at least how Dillens imagines them. Curator: Exactly! They're not just extras, they're crucial. Do we cheer for her? Do we boo the rabble? I am really thinking that this scene is about our tendency to make – and break – our heroes. What do you think? Editor: Definitely something to consider. I guess that looking closely has encouraged me to move beyond the image's surface and see the tension and narratives beneath.