Rocking Chair (Square Back) c. 1937

Curator: Robert Gilson created this drawing, with some touches in brass and wood, titled *Rocking Chair (Square Back)* around 1937. It seems quite understated, almost somber, in its presentation. Editor: Yes, that’s exactly it! It feels like the rocking chair from someone's grandmother. But there’s also a quiet resilience to it, you know? A chair that's seen generations, listened to secrets. Curator: Considering its probable historical context, one can infer potential meanings linked to labor, domesticity, and even disability, given the implied user of such an object. The square back suggests a more rigid, formal design—perhaps representing traditional roles. Editor: True, it's a little stiff-backed. Still, that tiny flourish of decorative brass adds a note of...defiance, maybe? A subtle insistence on beauty amid utility? It’s almost winking at you, like "Don't underestimate me". Curator: I would agree. The contrast with what you term the brass details also points to something deeper, maybe regarding access to wealth, and to leisure. Were people of color or low economic means allowed leisure and rest? The very existence of the chair in an exhibition challenges power structures, where domesticity and labor are overlooked in the grand narrative. Editor: Okay, okay. You’re getting me thinking…It looks so simple, but is charged. It’s a very American object. Curator: Precisely! Analyzing the historical contexts enables us to deconstruct preconceived notions around art and functionality. Editor: This chair looks both familiar and full of history. Like so many old objects it’s a portal to stories unknown. Curator: Indeed, these explorations facilitate more critical and socially aware art appreciation. Editor: Right, let's sit with these questions and hopefully ignite others!