Ascension of Christ c. 12th century

Curator: Here we see a small relief carving, titled "Ascension of Christ," currently held in the Harvard Art Museums, crafted by an unidentified maker. Editor: It feels like a concentrated burst of hope. I’m drawn to how the figures are arranged, almost like ascending layers of faith. Curator: Yes, you perceive the symbolic architecture well. The lower register shows the earthly witnesses, while above, Christ is framed by angels, rising to a higher plane. The gestures and objects symbolize a shared visual language. Editor: There's a raw, almost folksy quality to the carving. It doesn't strive for realism, but it absolutely captures the emotional fervor of the moment, a communal reaching. Curator: Indeed, the very material—perhaps ivory or bone—imbues it with an intimate, almost talismanic quality. It serves not just to depict, but also to evoke. Editor: I appreciate how it allows us to ponder the emotional impact of the ascension on those left behind. There’s an honest, human quality to their awe and uncertainty. Curator: A tangible connection to a spiritual event. Editor: And a potent reminder of the power of simple artistic expression.