print, metal, relief, bronze, engraving
medal
neoclacissism
metal
relief
bronze
linocut print
history-painting
engraving
Dimensions: diameter 3.7 cm, weight 26.58 gr
Copyright: Rijks Museum: Open Domain
Curator: Let's discuss this striking bronze medal from 1832, entitled "Verovering van de citadel van Antwerpen" – or, “The Conquest of the Citadel of Antwerp". It's currently held in the Rijksmuseum collection. Editor: My first impression is how skillfully the artist uses the circular form. The dramatic scene feels almost contained, yet very intense, as if miniaturized, frozen mid-explosion. Curator: Absolutely. Hart, the artist, has captured this historical event with a keen awareness of classical traditions. Look at the material—bronze, a symbol of endurance—and how the relief is meticulously engraved, emulating ancient coins commemorating important victories. Consider the labor involved in minting these medals, their role in shaping public memory of the siege. Editor: I agree; however, the circular composition, divided into two distinct planes with a foreground focused on the Citadel and background exploding outwards, directs the viewer's gaze with precision. I find myself drawn to the small rooster atop the fortress—a powerful symbol rendered with such clarity! And the script, that beautiful, restrained script... Curator: Right, that script! On one side, it details the event, while on the reverse, it displays an inscription: "A Sainte Victoire, il fallait pour sa fête un bouquet de Lauriers". It suggests laurels offered to Saint Victory. This speaks to the socio-political context: King Leopold's forces, with French support, dislodging the Dutch garrison. A clear visual language for promoting national identity and victory! The circulation of such medals reinforced a particular narrative. Editor: A powerful observation! For me, it's how those meticulously rendered details, the smoke, the texture of the citadel walls—it's almost cinematic, but also serene. A contradiction, I know, but it adds to its compelling character. Curator: So, in viewing "Verovering van de citadel van Antwerpen," we both engage with Hart’s capacity to mobilize social context and celebrate historical feats. The tangible quality of the bronze interacts and creates memory, creating new visual relationships with an event frozen in time. Editor: And from a formal perspective, how Hart transformed an actual war scene into such a visually contained—yet deeply impactful— artwork. A moment of war is converted to art.
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