Seated Chalkware Rabbit by Andrew Topolosky

Seated Chalkware Rabbit c. 1939

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drawing, watercolor

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drawing

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figuration

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watercolor

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coloured pencil

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miniature

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watercolor

Dimensions: overall: 30.7 x 22.7 cm (12 1/16 x 8 15/16 in.) Original IAD Object: 3 3/4" long; 5 1/2" high

Copyright: National Gallery of Art: CC0 1.0

Curator: Well, I’m immediately struck by the quiet charm of this watercolor and colored pencil drawing, "Seated Chalkware Rabbit" by Andrew Topolosky, dating from about 1939. It's a diminutive work; almost feels like a fleeting moment captured. What's your take? Editor: A fleeting moment indeed! I get a feeling of… melancholy? It's like a child's beloved toy, rendered with such gentleness that it almost aches. The colors are muted, the lines soft. I can almost feel the plush velvet fur that it imitates. Curator: It's interesting that you use the word "melancholy." The rabbit as a subject carries quite a bit of cultural baggage. Easter connotations, sure, but also symbols of good luck or fear because of its association with folk medicine in those years. But in '39, on the cusp of war, nostalgia for innocence was probably in pretty high demand. Editor: Right, and the title is fascinating - 'Chalkware Rabbit'. The original object this is derived from may be quite mass produced and then Topolosky renders a mass-produced toy with such individual affection. And elevating a chalkware piece through drawing, in itself. I love it! Curator: Exactly. Consider how everyday, commercially available items gradually made their way into the art world, slowly changing tastes in collecting—mass consumerism seeping into aesthetic value. It makes you think about what art elevates, and what gets left behind. Editor: And it makes you wonder about Topolosky. What was he seeing, or hoping to evoke? Maybe that childhood simplicity just felt…safer? Maybe it was all that was left. Curator: Perhaps so. Anyway, there's a lovely contrast between the mundane, humble subject, and Topolosky's skillful rendering, a blend of simplicity and refined technique that really elevates the artwork beyond just being a study of kitsch. Editor: It really does give pause doesn't it? It reminds me not to discount seemingly modest art, for it might be saying more than first appearances would imply. A little bunny filled with huge longing! Curator: Absolutely! And I'm left pondering the social and cultural context in which such an unassuming subject gains prominence, questioning those underlying narratives. Editor: I’m left pondering the rabbit himself!

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