Mandoline spielende junge Frau (_Lautenspielerin_) by Otto Scholderer

Mandoline spielende junge Frau (_Lautenspielerin_) c. 1870

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Copyright: Public Domain

Curator: Here we have Otto Scholderer's "Mandoline spielende junge Frau," or "Young Woman Playing the Mandolin," created circa 1870. The work, a delicate pencil drawing, currently resides here at the Städel Museum. Editor: There's a quiet intensity to this piece; despite being a preliminary sketch, the girl looks almost directly out with a composed stare. Her features feel so familiar. Curator: It’s fascinating how Scholderer captures the texture, or rather, the implied texture, with such economy of line. Observe how the light catches the fabric of her dress and the soft curls around her face. It's a lesson in suggestive rather than descriptive mark-making. The whole composition revolves around her as subject. Editor: Mandolins often symbolized romantic sensibilities and artistic expression during this period. It was seen as feminine but associated with a particular class. This portrait presents a subject embodying artistic pursuits, a muse perhaps, elevated by her mastery of an instrument so tied to cultural performance. But beyond her refined beauty, the instrument alludes to social privilege. It's about much more than aesthetic elegance. Curator: Precisely, the strategic placement of the hands also generates focus. The viewer's attention is expertly guided along their contour lines, emphasizing not only the action of playing, but also the implied tactile experience with the material substance of the instrument itself. The formal composition directs the semiotic content, doesn’t it? Editor: That’s right, her look of absorption suggests that she is playing and completely transported by it. Yet, there is a melancholy cast; as if the artist knew about inevitable transformation, reflecting transient joy that all women— and all beauty—will go through. Curator: The soft gray scale and unfinished elements of the background force our gaze onto her form, into an interplay between what is depicted, what could be depicted, and, indeed, what the essence of 'young woman playing mandolin' is beyond surface depiction. Editor: The very act of portraying her with this instrument immortalizes this cultural symbolism and freezes her within this timeless visual narrative. It makes you consider where beauty resides – is it in art, music, both or the player themselves? Curator: Exactly. The material rendering and composition perfectly capture the transient relationship between technique and the essence of the sitter and the overall idea, and her symbolism.

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