Standing female figure by Maya

Standing female figure 6th-10th century

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ceramic, earthenware, sculpture

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portrait

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african-art

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stone

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sculpture

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ceramic

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figuration

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earthenware

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sculpting

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ancient-mediterranean

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sculpture

Dimensions: 4 5/8 x 3 1/2 x 2 1/8 in. (11.7 x 8.9 x 5.4 cm)

Copyright: Public Domain

Curator: Let’s take a moment with this striking, diminutive figure. Made of earthenware, it's entitled "Standing female figure" and dates from sometime between the 6th and 10th centuries. It's a piece held here at the Minneapolis Institute of Art. Editor: The first thing that hits me is this immediate sense of stillness. The weight, the solid posture – there's an undeniable presence to such a simple shape. Kinda like a comforting, earthy talisman. Curator: Absolutely. Her presence is definitely commanding despite her size. Given her jewelry and what appears to be formal headdress, she very likely depicts a woman of status. Though much is conjecture, it's reasonable to imagine the figure once served a ritual or ceremonial role, a link between the earthly and the spiritual realms. Editor: It's also a beautifully subtle exploration of form. It’s really minimal, right? Those almost childlike proportions but with this undeniable, confident energy. What kind of craft do you imagine it required to build and fire the artwork? Curator: Considering the time, skill and resources, it surely wasn't just anybody crafting this image. Also interesting is how the lack of precise origin allows us to focus on her universality as a symbol, the eternal feminine, almost like an archetypal representation of power and authority across cultures. Editor: Do you think so? I’m feeling it more personally, a gentle strength, more earthy and tangible, something you could hold. But in viewing this I also feel the burden of knowing that so many origin stories of artifacts are unclear, which is so heavy to consider, right? Curator: Definitely. This ambiguity invites us to think critically about the context and cultural forces at play. Where does it belong in a larger narrative about women of power during this era? It calls for a dialogue between us, the viewer, and its silent agency. Editor: Beautiful. Yeah, even though it's diminutive, it asks enormous questions, and offers comfort in the face of some truly immense, ancient puzzles of cultural exchange.

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