drawing, mixed-media
drawing
mixed-media
realism
Dimensions: overall: 31.7 x 24.4 cm (12 1/2 x 9 5/8 in.)
Copyright: National Gallery of Art: CC0 1.0
Curator: This mixed-media drawing presents us with a "Patch Box of Kentucky Rifle," conceived around 1938 by Albert Levone. It has a somewhat preliminary, muted quality to it. Editor: Indeed, there's an almost ghost-like quality to its rendering. The eagle atop the ornamental design seems to float above the details of the patch box itself. The pale ochre palette amplifies this feeling. Curator: Formally, notice how the artist meticulously delineates the decorative elements, such as the floral scrolls, utilizing mixed media to bring out slight textural variety, setting against an almost untouched background which seems intentional. The eagle presents similar precision. Editor: Precisely! And the choice to depict this particular object also resonates. The Kentucky rifle, intrinsically linked to the American frontier, hints at individualism, the mastery of one's surroundings, as well as alludes to expansionism and its complex histories. One might consider the era of production, nearing the close of the depression era. It might echo ideals of freedom. Curator: The relationship of medium and object speaks to deeper readings too. The artist doesn't aim to represent a literal patch box, instead abstracting its form in lines that highlight geometric shapes—circles and sharp-pointed triangles which interplay with the subject it’s embellishing. Editor: And let us consider where we see it: now hanging on the walls of a museum, distanced from both rifle and the frontiersman's lived experience, transformed instead into art historical representation of American identity. It takes a step away from the tool as something of function and into the symbol it is meant to invoke. Curator: Yes, but what remains is the enduring aesthetic sensibility that is captured through the rendering and choice of visual organization, providing a rich network of visual stimuli regardless of context. Editor: Agreed. It leaves me pondering the tension between functional object and idealized symbol, prompting questions about history and craftsmanship in the face of social shifts.
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