Spearing by Torchlight on the Amazon by George Catlin

Spearing by Torchlight on the Amazon 1854 - 1869

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painting, oil-paint

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painting

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oil-paint

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landscape

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watercolour illustration

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watercolor

Dimensions: overall: 41 x 57 cm (16 1/8 x 22 7/16 in.)

Copyright: National Gallery of Art: CC0 1.0

Curator: Here we have George Catlin’s painting, "Spearing by Torchlight on the Amazon," thought to have been completed between 1854 and 1869. It is an oil painting. Editor: The first thing that strikes me is the stark contrast. The small boat and figures are intensely illuminated against this impenetrable darkness, achieved using very deep greens, almost black, to denote the forest and night sky. Curator: Yes, that dramatic illumination speaks volumes. Torchlight fishing was, and in many communities still is, more than just a hunting method. It’s a ritual, a dance between man and nature guided by inherited knowledge. The light itself symbolizes revelation, drawing the unseen into visibility, but also a deep understanding of ancestral methods for interacting with the natural world. Editor: Indeed. Notice how the artist renders the foliage: large, feathery, and nearly indistinguishable forms. This abstraction pushes the focus towards the figures and the reflected torchlight in the water, reinforcing the dynamism of the hunting scene versus a purely static landscape. Catlin seems less interested in accurately documenting the natural world and more in presenting a heightened, even romantic, version of the event. Curator: Exactly. Catlin spent years among Indigenous communities, striving to document their ways of life as he perceived them vanishing. The torch might also represent the fleeting nature of culture itself. In a sense, he, too, was "fishing" for a way to preserve these traditions. Editor: The light itself acts as the vanishing point; the recession toward the center is masterfully executed to generate drama within the otherwise simplified composition. It is a wonderful interplay of textures—the density of the jungle versus the slickness of the water. Curator: Seeing beyond the formal, this painting serves as an interesting portal into both an actual fishing technique and a meditation on memory, tradition, and the poignant human attempt to capture that which is always on the verge of fading. Editor: It does create a certain mood...an immersive engagement with both a moment in time and also the artist’s experience.

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