The Porch of St Maclou, Rouen by David Roberts

The Porch of St Maclou, Rouen 1829

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Dimensions: support: 546 x 406 mm frame: 672 x 540 x 80 mm

Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate

Editor: So, this is David Roberts' "The Porch of St Maclou, Rouen," currently residing in the Tate Collections. It depicts a gothic church porch, and I find myself drawn to the contrast between the ornate architecture and the everyday street scene. What symbols do you notice in this painting? Curator: The gothic architecture itself is a potent symbol, invoking centuries of religious and societal values. Notice how the light illuminates the church, drawing the eye upward? It’s a visual echo of spiritual aspiration. The figures below, engaged in commerce and daily life, are dwarfed by the structure, prompting reflections on the relationship between the sacred and the secular. Editor: That's fascinating! I hadn't considered the positioning of the figures as symbolic. Curator: Roberts invites us to ponder the enduring power of institutions like the Church and the transient nature of human existence. The image encapsulates cultural memory, doesn't it? Editor: Absolutely. It highlights the layers of meaning embedded within this historical scene. Curator: Indeed, it makes one consider how images carry these historical weights.

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tate 4 days ago

http://www.tate.org.uk/art/artworks/roberts-the-porch-of-st-maclou-rouen-n02956

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tate 4 days ago

The medieval architecture of France and the fine examples of Gothic to be seen in cities like Rouen became popular themes for artists during the 1820s. British artists responded enthusiastically, extending their tradition of the picturesque tour to continental scenery and antiquities, while French artists and writers directed attention to monuments and religious relics recently neglected or defaced as a result of the Revolution. For Charles Nodier, Rouen was the ‘Herculaneum of the Middle Ages’. More than a detailed study of architecture, Roberts’s picture of St Maclou is intended as a moody evocation of a lost age of faith. Gallery label, February 2016