Mirakel van het H. Sacrament te Brussel, 1370 1718 - 1720

Editor: This is "Mirakel van het H. Sacrament te Brussel, 1370," made around 1718-1720 by an anonymous artist. It's an engraving in ink and I find the symmetry really striking, especially with the flanking angels and the elaborate, layered crowns. What symbols jump out to you in this piece? Curator: Well, the most dominant symbol here is the Eucharist itself, enshrined within that gothic tabernacle. It's the ultimate symbol of communion and divine presence, isn't it? And layered above it are these increasingly ornate crowns. Notice how they progress in detail – each suggests a different level of power, of spiritual authority, ascending toward Heaven. Do you see the lamb at the base? Editor: Yes, it’s very small. Curator: Right. The Agnus Dei, the Lamb of God – representing Christ's sacrifice. Then there are the small scenes around the central image... glimpses into moments associated with the miracle. It acts as a visual reminder of the cultural importance that Christianity plays within our society. What kind of narrative does it weave, do you think? Editor: I think the images try to present it like a holy relic through their artistic composition. Curator: Precisely! Consider how this engraving functioned within the context of its time – Baroque, marked by religious fervor after the Reformation. Images like these weren’t merely decorative; they were powerful affirmations of faith, designed to instill devotion and awe. It really encourages reflection. Editor: It's fascinating how layered the symbolism is! I'll definitely be looking at Baroque art with fresh eyes from now on. Curator: Indeed! Images carry such profound weight when we understand their symbolic language. A single image may contain multiple references that encourage contemplation.