Portret van Gerrit Looman met een speelgoedpaard by Anonymous

Portret van Gerrit Looman met een speelgoedpaard 1900 - 1914

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photography

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portrait

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still-life-photography

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pictorialism

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photography

Dimensions: height 104 mm, width 65 mm

Copyright: Rijks Museum: Open Domain

Curator: Oh, this one gets to me. It's so bittersweet. There’s this quiet feeling. Editor: Indeed. What we're seeing here is a photographic portrait titled "Portrait of Gerrit Looman with a Toy Horse," estimated to be taken sometime between 1900 and 1914. The photograph showcases a young boy standing next to a balustrade on which rests a toy horse. What's catching your attention in this image? Curator: I just find it’s such a stark reminder of a particular kind of childhood – look at the staging, the way he's posed, clutching that riding crop! It almost feels like a carefully constructed scene, more about presenting an image than capturing a genuine moment, you know? There’s this attempt at controlled innocence that I can't help but feel has got a little something uncomfortable. What about the social history, who were the Loman's? Editor: Exactly. The fact that he's placed in this near staged scene does make me consider the class dimensions, for certain. In this era, especially with photography, having your portrait done was, in itself, a signifier of certain wealth and social standing. So already the image says things about Gerrit Looman’s family – most likely members of the middle or upper class. It also brings to the surface how notions of childhood are historically shaped, often serving the needs of adult society to show what might seem proper decorum in their youth. Curator: That makes complete sense. It is the early 20th century after all. He probably would’ve been paraded about town! Though look at his expression. He looks to be only tolerating all this, to some degree. The way his mouth is just barely upturned… it doesn't feel like the exuberance I might expect a child to show when around a toy. I think he’s already caught in the structures you're talking about! And does that make the image all the more of a document of the times? Editor: Precisely! It is that duality in his eyes that draws you into a larger web of historical context—reflecting on the values and societal expectations projected onto children in that period. It serves as a quiet commentary on what's gained, perhaps at the expense of other genuine freedoms. Curator: What an uncanny window back in time. I really did get lost here. Editor: Agreed. This photo, really is a little doorway to an intriguing moment long since past.

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