Study for Mural for the Marine Transportation Building, New York World's Fair 1939

Arshile Gorky created this study for a mural for the Marine Transportation Building at the New York World's Fair. Born in Armenia, Gorky immigrated to the United States, escaping the Armenian genocide. His personal history of displacement and cultural identity is significant when viewing his artistic development. This painting blends maritime themes with abstract forms, a style reflecting the avant-garde movements of the time, yet also hinting at deeper, more personal narratives. The fragmented shapes can be seen as representing the disruption and reassembly of identity experienced by immigrants. Though seemingly celebrating modernity and transportation, this mural study carries the weight of Gorky’s past. His work gives visual form to memory and cultural heritage, creating a powerful statement about the immigrant experience.