Fotoreproductie van een tekening, voorstellende dwarsdoorsnedes van een fotolaboratorium te Parijs before 1896

This photorealistic drawing presents cross-sections of a photographic laboratory in Paris. The composition is divided vertically, featuring precise architectural details rendered in monochromatic tones. The anonymous artist uses linear perspective to create a sense of depth, emphasizing the structural components of the building. The interplay between light and shadow enhances the geometric forms, highlighting the contrasts between interior and exterior spaces. The use of cross-sections allows for a simultaneous view of multiple layers and functions within the laboratory, offering a comprehensive understanding of its design. This structured approach reflects a scientific interest in dissection and analysis, akin to early anatomical drawings. This emphasis on functional architecture and the breaking down of space into measurable segments aligns with the broader philosophical interest in understanding the built environment as a system of interconnected parts. This drawing serves not only as a visual document but also as a statement on the evolving relationship between art, science, and modernity.