Pa. German's Bride's Box by Meyer Goldbaum

Pa. German's Bride's Box c. 1936

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drawing, coloured-pencil, watercolor

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drawing

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coloured-pencil

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watercolor

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coloured pencil

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folk-art

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decorative-art

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watercolor

Dimensions: overall: 22.9 x 28.6 cm (9 x 11 1/4 in.)

Copyright: National Gallery of Art: CC0 1.0

Curator: Here we have "Pa. German's Bride's Box", a drawing rendered around 1936, utilizing watercolor and colored pencil. What are your initial thoughts? Editor: It strikes me as wonderfully homespun. The drawing’s materiality feels unpretentious. It is interesting how colored pencil and watercolor meet. There’s a tangible texture to the lines, not precise, but very warm. Curator: Exactly! Bride's boxes were significant in Pennsylvania German culture. They represented the dowry—items a bride would bring to her marriage. This drawing perhaps documents that custom or evokes that symbolism. These boxes acted as potent markers of cultural identity within that community. Editor: Thinking about it as a representation instead of the thing itself alters its meaning for me. Did Goldbaum create this drawing in relation to an actual bride’s box, or is it about an idea of Pennsylvania German heritage? The handmade aesthetic is what's interesting. Is it celebrating folk traditions, or is it appropriating them? Curator: That tension between documentation and interpretation is crucial. Goldbaum positions folk art within a fine art context by rendering it in watercolor and colored pencil, for a modern art audience. How might such an act alter the artwork's significance? Is the museum doing the same now? Editor: Absolutely! And look at the repeated floral motifs—what locally available materials, dyes, and skill sets determined their use in actual Pennsylvania German bride's boxes? Considering material scarcity gives these humble marks real power. Curator: Precisely! And doesn’t thinking about material reality then give new weight to Goldbaum's decision to render it in such a manner for the world outside that tradition? Editor: Yes, it’s not simply about recording visual information, but about choosing specific materials to talk about the process of tradition. A drawing that raises more questions than it answers. Curator: A vibrant testament to a heritage both embraced and translated through a modern lens. Editor: Precisely. Thinking about the labor involved changes how you see such images.

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