Landschap met twee saters by Daniël met de Penningen

Landschap met twee saters 1668

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print, engraving

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narrative-art

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baroque

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print

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figuration

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genre-painting

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engraving

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erotic-art

Dimensions: height 119 mm, width 64 mm

Copyright: Rijks Museum: Open Domain

Editor: This is "Landscape with Two Satyrs" from 1668, an engraving by Daniël with the Penningen here at the Rijksmuseum. I’m immediately struck by the overt and slightly bizarre theatricality of it all. It seems like these satyrs are advertising something, but I’m unsure what to make of the text. How do you interpret this work? Curator: The means of production here are quite telling. Engraving allows for multiples; these images would have circulated widely, reaching a broad audience and shaping perceptions. This particular image connects directly to the economy of theatrical publishing in 17th-century Europe, doesn't it? Notice how the satyrs are displaying a text promoting "Les Nouvelles Oeuvres" of Monsieur Scarron – essentially, advertising his plays. Editor: Ah, I see it now! So, it’s literally a commercial piece! But why satyrs? What’s the connection there? Curator: Satyrs, traditionally figures of hedonism and revelry, were stock characters of comedy, signifying a challenge to social order and the high/low culture divide. The use of an established mythological iconography sells more copies than other more established styles. Who is more trustworthy after all: Pan, or the unknown artist who penned a tragedy last Tuesday? Here, their association lends an air of comedic transgression to Scarron’s work, advertising the bawdy humor to be consumed by its readers. This work asks the viewer to reconsider boundaries set between genres in their era. Editor: That makes a lot of sense. I was focused on the symbolism without considering how the image functioned within the book trade of the time. Curator: Precisely. It forces us to confront the often-blurred lines between "high art" and commercial craft. It’s fascinating to see how mythological tropes and base creatures become labor instruments within capitalism. Editor: It’s certainly shifted my perspective on engravings from this period. I’ll pay closer attention to what they were actually selling and the means and message of delivery from now on!

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