William Swanson, matroos, Newport, R.I., 1944 by Anonymous

William Swanson, matroos, Newport, R.I., 1944 1944

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photography, gelatin-silver-print

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portrait

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photography

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gelatin-silver-print

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modernism

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realism

Dimensions: height 50 mm, width 63 mm

Copyright: Rijks Museum: Open Domain

Editor: So, this is a gelatin-silver print from 1944, a portrait of William Swanson, a sailor in Newport, Rhode Island. It's such a simple, direct image, but I’m curious – what social commentary, if any, can be made about a portrait like this? Curator: This image invites us to consider the individual within a much larger historical context. During WWII, portraits like this weren't simply personal mementos, but representations of a nation at war, a visualization of sacrifice and collective effort. The image makes you think of a family sending a son to war and trying to retain a token of their boy safe at home. What power dynamics do you see in the image's gaze and composition? Editor: He seems so young, doesn't he? He is smiling directly at the camera, giving off a very friendly affect, but almost naive with it. The backdrop of war contrasts sharply with his optimism. It's like a contrast between innocence and what he will likely soon have to confront. Curator: Exactly! And let’s also consider the racial dynamics present at the time. Photography, as a medium, can both document and perpetuate societal norms. How do you think the sailor’s representation contributes to or challenges those norms, thinking of it within its social and cultural landscape? Who gets to be remembered? What narratives were privileged? Editor: Thinking about it that way, the image becomes loaded. We see a very specific type of person being valorized at this time, and a conscious selection is being made. Maybe its intention was innocent but it ultimately upholds hegemonic structures. That certainly makes you wonder about the stories we don't get to see represented. Curator: Precisely. By examining seemingly straightforward images like this one through a critical lens, we uncover a lot about the power structures and biases of the time, and their lingering effects even today. Editor: This photo holds much more weight than I initially perceived. Thanks for illuminating its layers! Curator: Absolutely. Remember, art is not created in a vacuum; every piece speaks to and from its unique moment in history.

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