Studie van een zittende jongeman, met bontmuts op by Johannes Christiaan Schotel

Studie van een zittende jongeman, met bontmuts op 1797 - 1838

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drawing, pencil

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portrait

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pencil drawn

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drawing

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light pencil work

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pencil sketch

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old engraving style

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figuration

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personal sketchbook

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ink drawing experimentation

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romanticism

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pen-ink sketch

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pencil

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sketchbook drawing

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pencil work

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genre-painting

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sketchbook art

Dimensions: height 328 mm, width 230 mm

Copyright: Rijks Museum: Open Domain

Curator: This pencil drawing, found in the Rijksmuseum, is entitled "Studie van een zittende jongeman, met bontmuts op"—or "Study of a Seated Young Man, with Fur Cap"—and is attributed to Johannes Christiaan Schotel, dating from around 1797 to 1838. What do you make of him? Editor: Well, first impressions? He looks… relaxed, almost bored, perched on that ledge. The light, delicate pencil work gives him a kind of dreamy, ethereal quality, like he’s a figment of someone’s imagination, or maybe just waiting for a ship to come in. Curator: It's interesting you say that, given Schotel’s well-known association with marine painting. Though this is a figure study, we might still consider its relation to his larger body of work, in terms of capturing the spirit of Dutch life and its connection to the sea. Editor: Sea or no sea, there’s an intimate quality to it. It feels like a personal sketchbook drawing, an artist just capturing a moment, not trying to impress anyone. And I’m drawn to the hat - it is fur, isn’t it? - and its contrast with his relaxed pose. Curator: Precisely. And during this period, the portrayal of figures, especially in informal settings, began reflecting a shift in social dynamics, away from rigid class structures. Artists were taking interest in everyday individuals, finding beauty in the mundane. This work may signal such changes in artistic focus. Editor: True, but there's something timeless too. Anyone who has sat waiting or paused during the day, regardless of context can relate to the character's calm, perhaps a little melancholic, mood here. It speaks to how, maybe we're not all that different from these Dutchmen of the past. We all have quiet moments of reflection. Curator: Yes, indeed. It is remarkable how such a simple drawing can reveal so much, not just about the sitter, but about the artist, the society, and even ourselves. Thank you. Editor: My pleasure. It's all in how we interpret that silent story on the page, right? It's art as time travel and reflection all in one.

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