Zeilboten op het water, in de verte een stad by Carel Nicolaas Storm van 's-Gravesande

Zeilboten op het water, in de verte een stad 1851 - 1924

0:00
0:00

etching

# 

impressionism

# 

etching

# 

landscape

# 

etching

# 

realism

Dimensions: height 325 mm, width 477 mm

Copyright: Rijks Museum: Open Domain

Curator: Look at this, an etching titled "Zeilboten op het water, in de verte een stad"—that's "Sailboats on the water, a city in the distance," crafted sometime between 1851 and 1924 by Carel Nicolaas Storm van 's-Gravesande. Editor: My goodness, it's so... quiet. A hushed breath of a scene. You almost can hear the wind, can't you? All those delicate lines giving the illusion of movement. Curator: Absolutely, there's a stillness but a vibrancy. The etcher was clearly moved by the subject. And look at the detail in those clouds, it is mesmerizing! Editor: Speaking of movement, I'm immediately drawn to how Storm van 's-Gravesande handled the sailboats. They’re almost glyphs, aren't they? Small, silhouetted figures, but they stand for so much – adventure, trade, perhaps even dreams of faraway lands? Curator: I love that interpretation! I think that's the heart of a landscape. What appears quiet or representational always contains a narrative about humanity and its relationship to space. This interplay with open space feels incredibly Dutch too, it makes me feel melancholic for the beauty that's constantly surrounding us, you know? Editor: I think so, I’d say the Dutch Masters often utilized such scenery in the Golden Age, to create and deliver symbolic narratives, for instance. Like the water becomes the symbol of life itself. The light filtering through the clouds could also serve as a metaphor. Curator: And the city on the horizon… it’s a promise, a potential. Or even a kind of mirage that’s easy to find yourself adrift toward... perhaps not as solid as you hope. This almost monochrome scene makes one concentrate on what makes up our emotional responses towards places in our own, non-etched worlds. Editor: It definitely offers up multiple ideas to ruminate upon, whether you consider the romanticized journey of sailboats, the light, airy touch, or its visual representation of quietness in nature... This work manages to stay with you, for a good reason. Curator: Definitely. Something so small, but so very meaningful.

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.