drawing, pencil, graphite
portrait
drawing
low key portrait
portrait image
portrait
charcoal drawing
portrait reference
portrait head and shoulder
romanticism
pencil
men
graphite
portrait drawing
facial portrait
portrait art
fine art portrait
Dimensions: 4 1/8 x 3 1/8 in. (10.5 x 8 cm)
Copyright: Public Domain
Curator: What strikes me immediately is the gentleman’s eyes—they're full of knowing, yet tinged with such weariness. Editor: And that, I think, captures something about this intriguing portrait, titled "Uncle Charles," rendered by Charles Cromwell Ingham around 1844. It’s a graphite, pencil, and charcoal drawing—quite a combination!—now residing here at The Met. Curator: It does feel incredibly intimate, doesn't it? Almost like a candid snapshot, if snapshots were possible back then. I wonder what secrets "Uncle Charles" held. Did he even have them? He has this reserved posture, the careful placement of the hand in his jacket--a mask? Or just thoughtful repose? Editor: The formality in these 19th-century portraits, though, tells us a lot about social standing and the expectations placed on individuals, especially men, within that society. This image broadcasts that "Uncle Charles" occupied a certain position, likely of respect, requiring him to present himself in a composed manner. Curator: Perhaps... Or maybe it's that Ingham, as the artist, was really excellent at subtly hinting at what's going on *beneath* that controlled exterior. The low-key lighting highlights every furrow, every slight asymmetry. This isn’t some airbrushed ideal, which I think you sometimes find. There's reality in his face. Editor: Absolutely. It reveals how Romanticism, even in portraiture, was veering toward a certain emotional honesty, which makes you consider what kinds of cultural changes made space for those more vulnerable depictions of public figures like "Uncle Charles" at this time. This wasn’t only about likeness but, perhaps for the first time in portraiture’s history, interiority. Curator: That emotional resonance is powerful—something Ingham really nailed. Editor: Ingham's artwork reflects this interesting intersection of social representation and growing interest in individualism—visible here through a delicate charcoal line. Curator: Makes me think about all the "Uncle Charleses" out there, in every era, struggling to keep it together beneath a polished veneer. A worthy addition to any collection and certainly this audio tour! Editor: A glimpse into the past, and an echo into our present concerns, wouldn't you agree?
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