Illuminated Double Page of a Yusuf and Zulaikha of Jami 1555 - 1605

Editor: This is a dazzling illuminated double page from a manuscript of Yusuf and Zulaikha by Jami, dating from between 1555 and 1605. It's made with ink, tempera, and gold on paper. I'm immediately drawn to the intricacy of the geometric and floral patterns, they seem to almost vibrate with energy. What stands out to you? Curator: The sheer density of ornamental articulation certainly commands attention. Consider how the dominant structure of the central rectangle creates an inner frame; it's further articulated by elaborate border designs with the geometric and arabesque motifs – all working in concert to organize and contain visual information. Editor: Yes, I see what you mean. It's almost like a visual puzzle. Why do you think the artist chose such a complex composition? Curator: Perhaps complexity is intrinsic to the piece. Notice how the color palette is restrained—gold, blue, and touches of red. The interplay between these hues further refines the artwork. Could it be argued that its formalism enhances our ability to read the significance of this manuscript page? Editor: I see your point! By limiting the color palette and emphasizing the composition, the artistry behind the decorative elements themselves takes center stage. Curator: Exactly. Form here serves not just as embellishment, but as content. And to really decode its formal qualities is also to have the chance to unveil its intent. Editor: That's fascinating. I hadn't thought of decorative arts as having such depth through formal analysis. Thanks for pointing that out. Curator: My pleasure. Formal analysis can always shed new light even on the most decorative of works.