Don Quichot in een ossenwagen by Daniel Nikolaus Chodowiecki

Don Quichot in een ossenwagen 1770

0:00
0:00

Dimensions: height 98 mm, width 58 mm

Copyright: Rijks Museum: Open Domain

Editor: So, this is "Don Quichot in een ossenwagen" by Daniel Nikolaus Chodowiecki, made around 1770. It's an engraving. It’s got this kind of old storybook feel to it, but the detail is incredible for a print. I'm curious about the composition. What do you see in this piece from a formalist perspective? Curator: Formally, the artist uses linear perspective to create depth, yet the hatching and cross-hatching are somewhat irregular, contributing to the textural variation. There are definite divisions between foreground, middle ground, and background with corresponding shifts in focus and complexity. Note the use of line weight; darker, heavier lines outline the figures in the foreground, giving them prominence, while finer lines define the architectural structures in the background. How does this interplay affect your reading? Editor: It's interesting. I was focused on the story at first but noticing the different line weights and how they draw your eye is really cool. The characters in the cart seem kind of secondary, almost caged, in contrast with the person out front with more distinct lines. Curator: Precisely. Observe the contrasts in shapes as well. Rectilinear forms define the building. The circular wheels repeat like semiotic signals, counterpointed against the figures themselves. It invites interrogation: What underlying system governed the artistic choices? Why a cage for the riders? Why prioritize architectural structure over organic form? The questions expose the system governing the composition. Editor: That makes so much sense. I didn’t realize how much the lines contributed to how you “read” the piece. It all seems very deliberately arranged. Curator: Formal analysis is merely a way to unearth structural coherence of these deliberate choices in artworks. Ultimately, this exercise allows us to understand that line, space and shape coalesce. We come to the artwork unencumbered and seek that understanding with our gaze. Editor: Thanks, that really helps me see this engraving in a completely new light. I appreciate your insights!

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.