Overzicht kampongwoningen, gezien vanaf den kalkoven in W. richting. October 1926. 1926

This photograph, taken in October 1926, captures an overview of kampong houses seen from the lime kiln, facing west. The anonymous photographer’s approach feels process-driven, maybe even utilitarian, capturing the scene with an even, almost detached gaze. It reminds me that artmaking, in its broadest sense, is about seeing and recording. The image’s material aspects, its grainy texture, and the tonal range from light grey to near black, all contribute to its emotional weight. Look closely at the rows of houses; each one is slightly different, each with its own story. The photograph’s surface is like skin, bearing the marks of time and process. The small imperfections, the slight blurriness, and the way the light catches the paper – these elements add a layer of complexity. It makes me think of Eugène Atget, another chronicler of urban life. Like Atget, this photograph embraces ambiguity, allowing space for multiple interpretations rather than fixed meanings.